SHAUN GLADWELL

1972 Born Sydney, Australia
1996 Bachelor of Fine Arts (Honours First Class), Sydney College of the Arts, Australia
2001 Masters of Fine Art (Research), College of Fine Arts, University of New South Wales, Sydney, Australia
2001–02 Associate Research, Goldsmiths College, University of London, UK

SELECTED SOLO EXHIBITIONS
2010 Art Feature, Art 41 Basel, Switzerland
MADDESTMAXIMVS: Planet & Stars Sequence, Institute of Modern Art, Brisbane,
Australia
Interior Linework/Interceptor Intersection, Campbelltown Arts Centre, Sydney,
Australia
2009 Recent Photographs, Anna Schwartz Gallery, Melbourne, Australia
Seven Year Linework, Spacex, Exeter, UK
MADDESTMAXIMVS: Planet & Stars Sequence, Australian Pavilion, 53rd Venice
Biennale, Italy
2008 Shaun Gladwell, University Art Gallery, University of California, San Diego
Double Voyage, Anna Schwartz Gallery, Melbourne, Australia
2007 MADDESTMAXIMVS, Sherman Galleries, Sydney, Australia
In a Station of the Metro, Artspace, Sydney, Australia
2006 Shaun Gladwell, Hallwalls Contemporary Arts Centre, Buffalo, NY, USA
2005 Shaun Gladwell: Various Roles, Institute of Modern Art, Brisbane, Australia
MMVBREAKLESS SESSIONS, Sherman Galleries, Sydney, Australia
2004 New Balance, Perth Institute of Contemporary Art (PICA), Perth, Australia
2003 Silent, Ambient and Harder Remixes, Sherman Galleries, Sydney, Australia
2001 Recent Projects, Cité Internationale des Arts, Paris, France
Cycles of Radical Will, Imperial Slacks Gallery, Sydney, Australia
2000 Kickflipping Flâneur, Artspace, Sydney, Australia

SELECTED GROUP EXHIBITIONS
2010 Street and Studio. From Basquiat to Séripop, Kunsthalle Wien, Austria
Adaptation, Power Plant, Toronto, Canada
Cars & Bikes, Galerie Analix Forever, Geneva, Switzerland
ABBARACADABRA, The First Mardin Biennial, Turkey
TWMA Contemporary 2010, TarraWarra Museum of Art, Victoria, Australia
Manimal, Herzliya Museum of Contemporary Art, Israel
Trajector Art Fair, ERROR ONE, Art Brussels, Belgium
The Rise of Rad – The Influence of the Urethane Revolution, Torrance Art Museum, California, USA
Fully Booked, Arts Project Australia, Melbourne, Australia
Reflection, DNA Galerie, Berlin, Germany
Remote Viewing, Arts Santa Monica, Barcelona, Spain
The Armory Show, Anna Schwartz Gallery, New York, USA
2009 ERROR #14: Into the Light, Royal Museum of Fine Arts, Antwerp, Belgium
The Best of Loop: Remote Viewing. Taking the Pulse of the Next Generation of Video and
Film Art, curated by Paul Young, Pacific Design Centre, Los Angeles, USA
What I think about when I think about dancing, Campbelltown Arts Centre, Sydney
Modern Physics, Te Tuhi Centre for the Arts, New Zealand
INTO THE LIGHT 2009, KMSKA, Leopold De Waelplaats, Antwerpen, MuHKA, Leuvenstraat 32, Antwerpen
FLUX-S, Strijp-S, Eindhoven, The Netherlands
Video Swell, Art Gallery of New South Wales, Sydney
MVD (Paolo Canevari, Nam June Paik,Shaun Gladwell), MACRO (Museo d'Arte
Contemporanea di Roma), Rome
The Thrill of the Heights, OK Centre, Linz, Austria
Nam Bang!, Casula Powerhouse Arts Centre, Sydney
Figuring Landscapes, Ivan Dougherty Gallery, College of Fine Arts, UNSW, Sydney
Touring, ArtSway, New Forest; Tate Modern, London; Showroom, Sheffield; Chapter Arts,
Cardiff; Brighton Cinemateque; Bureau, Salford; Dundee Contemporary Arts; Vivid,
Birmingham; Hull Short Film Festival; FACT Liverpool; Gallery of Modern Art, Brisbane.
RISING TIDE: Film and Video Works from the MCA Collection, Sydney, curated by Dr Stephanie Hanor and Rachel Kent, Museum of Contemporary Art, San Diego, USA.
CODE SHARE: 5 continents, 10 biennales, 20 artists, curated by Simon Rees,
Contemporary Art Centre Vilnius (CAC), Lithuania
2008 I/Illegitimate, curated by Fernando Oliva, Museum of Image and Sound, Sao Paulo, Brazil
Artissima, Turin, Italy
Figuring Landscapes, touring, ArtSway, New Forest; Tate Modern, London; Showroom,
Sheffield; Chapter Arts, Cardiff; Brighton
Cinemateque; Bureau, Salford; Dundee Contemporary Arts; Vivid, Birmingham; Hull Short
Film Festival; FACT Liverpool; Gallery of Modern Art, Brisbane.
Taipei Biennial, curated by Manray Hsu & Vasif Kortun, Taipei Fine Arts Museum, Taiwan
Wandering, curated by Sean Hu, Taipei, Taiwan
Beck’s Fusions, Caulfield Park, Manchester, UK
Revolutions – forms that turn, 2008 Biennale of Sydney, curated by Carolyn Christov-
Bakargiev, Australia
Streetworks: Inside Outside Yokohama, curator David Broker, Asialink Touring Project,
National Gallery of Indonesia, Jakarta, Indonesia; Jogja Gallery, Jogjakarta, Indonesia;
Chulalongkom Art Centre, Bangkok, Thailand; Valentine Willies, Kuala Lumpur,
Malaysia; Substation, Singapore
URB08, Kiasma Museum of Contemporary Art Tenth-Anniversary program, Helsinki, Finland
Summer Exhibition, Gallery 8, curated by Tracey Emin, Royal Academy of Art, London
Zombie Surfers, curated by Richard Priestly, cell project space, London, UK
Australian!, Casula Powerhouse Arts Centre, Sydney, Australia
Screenings, Artist as Performer: Part II, Haunch of Venison, London
Biennale Cuvée, OK Center, Linz, Autria
2007–08 Space for Your Future, curated by Yuko Hasegawa, Museum of Contemporary
Art, Tokyo
2007 Living the City, curator Jan Schuijren, Platform 21, Amsterdam, The Netherlands
SHIFT: festival for electronic arts, Shaulager, Basel, Switzerland
Southern Panoramas, 16th International Electronic Art Festival, VIDEOBRASIL, São Paulo, Brazil
Experimenta Playground, BlackBox, Arts Centre, Melbourne
Shaun Gladwell, Noorderzon Festival of Performing Arts, Groningen, The Netherlands
Bicycle Club, curator Magda Kardasz, Kordegarda Gallery, Zacheta National Gallery, Warsaw, Poland
The Hague Sculpture 2007: DE OVERKANT / DOWN UNDER, Den Haag, The Netherlands
Flâneur, Raid Projects, Los Angeles
Think with the senses, feel with the mind – art in the present tense, 52nd International
Art Exhibition, curator Robert Storr, La Biennale di Venezia, Italy
Como Vivir Juntos, Selección 27a, Bienal de São Paulo, Museo de Arte Contemporáneo,
Santiago, Chile
MUTE: Storm Sequence, curators Lina Selander and Marianne Zamecznik, Bastard, Oslo,
Norway
Les Rencontres Internationales, Babylon Movie Theatre, Berlin, Germany
Collezione #2, curator Stephen Hepworth, Brancolini Grimaldi Arte Contemporanea, Rome, Italy
Streetworks: Inside Outside Yokohama, curator David Broker, Asialink Touring Project,
Chulalongkom Art Centre, Bangkok, Thailand; Valentine Willies, Kuala Lumpur, Malaysia; Substation, Singapore
2006–07 Wave Front: Australian Contemporary Art Scene, Tokyo Wonder Site, Shibuya, Tokyo,
Japan
2006 Les Rencontres Internationales, Centre Georges Pompidou, Paris, France
Experimenta Vanishing Point, touring to Contemporary Art Services TAS; Devonport
Regional Gallery, TAS; Newcastle Region Art Gallery, NSW; The Bakery, Perth, WA; Art
Gallery of South Australia, Adelaide; Ipswich Art Gallery, QLD
2006: The Year in Art, S.H Ervin Gallery, National Trust Centre, Sydney
27th Bienal de São Paulo: How to Live Together, São Paulo, Brazil
Busan Biennale 2006: Everywhere, Busan Museum of Modern Art, Busan, South Korea
Art ConneXions, ifa Gallery, Berlin, Germany, Goethe Institut touring project
Poor Yorick, Virginia Wilson Art, Sydney
Ten[d]ancy, Elizabeth Bay House, Sydney
Experimenta: Under the Radar, touring exhibition, Institute of Contemporary Art, London,
UK, and Foundation for Art and Creative Technology, Liverpool, UK
Where Angels Tread, Contemporary Art Centre of South Australia (CACSA), Adelaide
Play: Portraiture + Performance in Video Art from Australia + New Zealand, Adam Art Gallery Te Pataka Toi, Victoria University of Wellington, Wellington, NZ
Plus Factors, Australian Centre for Contemporary Art (ACCA), Melbourne
Tunnel Vision, Greed and Stupidity: Artists, Cartoonists and Planners Review Concrete
Politics in Sydney, The Cross Art Projects, Sydney
High Tide: New Currents in Art from Australia and New Zealand, Zacheta National Gallery
of Art, Warsaw, Poland; Contemporary Art Centre (CAC), Vilnius, Lithuania
Random Access, McClelland Art Gallery and Sculpture Park, Langwarrin, VIC
Family First, The Physics Room, Christchurch, NZ
Swell, Lake Macquarie City Art Gallery, New South Wales
2005–06 Experimenta: Vanishing Point, Blackbox, The Arts Centre, Melbourne; Devonport
Regional Gallery, Tasmania
2005 Shaun Gladwell: Storm Sequence, Milton Keynes Gallery, UK
Yokohama 2005 International Triennale of Contemporary Art: Art Circus (Jumping from
the Ordinary), Yokohama, Japan
Oz Night: Single Channel Video Works from Australia, Graf Media GM, Yokohama, Japan
MCA Collection: New Acquisitions in Context, Museum of Contemporary Art, Sydney
C-town Bling, Campbelltown Arts Centre, Sydney
Art Connexions, Goethe Institut exhibition, touring to Kuala Lumpur, Manila, Sydney,
Jakarta, Hanoi and Melbourne
Space Invaders, Museum Kunsthaus Baselland, Basel, Switzerland
New Acquisitions, Govett-Brewster Art Gallery, New Plymouth, NZ
New Media Art: What is it?, Kintore Youth Centre, NT; Apatula Kungkas Centre, NT; Alice
Springs Youth Drop-in Centre, NT
Breathing Space, The Physics Room, Contemporary Art Project Space, Christchurch, NZ
Third International Film and Video Festival, Museum of New Art, Detroit, US
Not Worried: New Australian Art, LA Raid Projects Gallery, Los Angeles, US
2004–05 Vacation: Projection Series 7, Govett-Brewster Art Gallery, New Plymouth, NZ
Anne Landa Art Award, Art Gallery of New South Wales, Sydney
2004 Various Rolls, PARK4DTV, Amsterdam (television broadcast)
RESFEST 2004, Australian Centre for the Moving Image, Melbourne; Dendy Opera Quays, Sydney
One Of: Festivus 04, Sherman Galleries, Sydney
Shaun Gladwell: Hikaru Sequence, Michael Lett Gallery, Auckland, NZ
Terra Alterius: The Land of Another, Ivan Dougherty Gallery, College of Fine Arts,
University of New South Wales, Sydney
Gridlock: Cities, structures, spaces, Govett-Brewster Art Gallery, New Plymouth, NZ
re: source, Gallery 6, Art in General, New York, NY
Flicker, Socrates Sculpture Park, Long Island City, New York, NY
Surrealestate, YYZ Artists’ outlet, Toronto, Canada
I thought I knew but I was wrong: New Video Art from Australia, Australian Centre for the
Moving Image, Melbourne; Nanyang Academy of Fine Arts Gallery, Singapore; Jamjuree
Gallery, Chulalongkom University, Bangkok, Thailand; Beijing Millennium
Monument, Beijing, China; Ssamzie Space, Seoul, South Korea
2004: Australian Culture Now, Australian Centre for the Moving Image and The Ian Potter
Centre: NGV Australia, Melbourne
City Views, Museum of Brisbane, Brisbane
Interlace, Performance Space, Sydney; Contemporary Art Services, Hobart, TAS
Shaun Gladwell: Storm Sequence, Newcastle Region Art Gallery; 24Hr Art, Darwin
MIX-ED: Diverse Practice and Geography, curator Simeon Kronenberg, Sherman Galleries,
Muppet Talent Time, Espace SD, Beirut, Lebanon
Jj allin breaks the window, Inflight Gallery, Hobart
Beam Me Up, ANU School of Art Gallery, Canberra
Concrete 000 – Shaun Gladwell and TV Moore, Experimental Art Foundation, Adelaide
Suburban Edge, Australian Centre for Photography, Sydney
Disappearance, X-ray Contemporary Art Museum, Beijing, China
outTakeout, The Physics Room, Christchurch, NZ
Work Rest Play (Escape), Imperial Slacks Collaborative Project, Artspace, Sydney
Do Not Tumble Dry, BIN5 Gallery, Sydney
2003 2003: The Year in Art, S.H. Ervin Gallery, National Trust Centre, Sydney
Exhibit 001, Ols&Co Gallery, London, UK
Home Sweet Home: Works from the Peter Fay Collection, National Gallery of Australia,
Canberra
Sport, Powerhouse Museum, Sydney
Primavera: Exhibition of Young Australian Artists, Museum of Contemporary Art, Sydney
Balance of Power, LA Raid Projects, Los Angeles, US
Chewing the Phat, Phatspace, Sydney
Project Video Art catalogue #4, TBC Gallery, Melbourne
Picturing Paradise, Mori Gallery, Sydney
2002 Portobello film festival, Westbourne Studios, London, UK
Festivus, Sherman Galleries, Sydney
RCA Secret, Royal College of Art, London, UK
The Mind is a Horse, Bloomberg Space, London, UK
Still Time, 200 Gertrude Street, Melbourne
Randomize Video Festival, Sovi Art Centre, London, touring exhibition
Video Program, Biennale of Sydney, Art Gallery of New South Wales, Sydney
Octopus 3, Gertrude Contemporary Art Space, Melbourne
Positive Overkill, Imperial Slacks Gallery, Sydney
Serial Sevens, Imperial Slacks Gallery, Sydney
Godzilla vs Skateboarders, Dunlop Art Gallery, Regina, Canada; Art Gallery of
Southwestern Manitoba, Canada
2001 Compressions/Covers, Boutwell Draper Gallery, Sydney
New Releases, Gallery 4A, Asia-Australia Arts Centre, Sydney
Imperial Alliance, Imperial Slacks Gallery, Sydney
Period, Blau Grau, Sydney
Serial Sevens, Imperial Slacks Gallery, Sydney
2000 Desire, Sir Hermann Black Gallery, University of Sydney, Sydney
Australian Painters at the Millennium, Imperial Slacks Gallery, Sydney
Not Quite Right, Grey Matter, Glebe, Sydney
SKULLS R US, with David Griggs, Lisa Salmon and Emma Price, 370 Bourke Street, Surry
Hills, Sydney
An Appointment with Reality, curator Nick Vickers, Sir Hermann Black Gallery, University
of Sydney, Sydney
1999 Herringbone Fundraiser, Herringbone Gallery, Sydney
Works on Paper, Exchange exhibition, The Academy of Fine Arts, Ljubljana, Slovenia
Helen Lempriere Travelling Art Scholarship exhibition, Artspace, Sydney
1998 Altered Characteristics, College of Fine Arts, Exhibition and Performance Space, Sydney
1998 Australian Conference of University Art and Design Schools, Gallery 101, Melbourne
Indahause, Herringbone Gallery, Sydney
Helen Lempriere Travelling Art Scholarship exhibition, Artspace, Sydney
Loud, National Media Festival of Youth Culture and The Arts
1997 Hatched, Healthway National Graduate Show, Institute of Contemporary Art, Perth
Helen Lempriere Travelling Art Scholarship Exhibition, Artspace, Sydney
1996 Resisting Blackmail, Kinesis, Leichhardt, Sydney
NSW Travelling Art Scholarship, College of Fine Arts, University of New South Wales,
Sydney
1991 Behind the Scenes, staff exhibition, Sydney Theatre Company, Sydney
1990 On This Day Art Award, Powerhouse Museum, Sydney

AWARDS, RESIDENCIES, COMMISSIONS
2007 Australian Film Commission, travel grant to attend VideoBrasil (October)
2006 Tokyo Wonder Site, residency, Shibuya, Tokyo
Australia Council Fellowship
2005 Experimenta ‘New Visions’ Commission for emerging artists
Woolloomooloo Night, commissioned for the Anne Landa Art Award, Art Gallery of New South Wales, Sydney
2003 Australia Council New Work Grant
National Association for the Visual Arts, Pat Corrigan Artists’ Grant
National Association for the Visual Arts, Marketing Grant Scheme for NSW Artists
Liverpool City Art Prize, First Prize for work under $1000
2001–02 Anne & Gordon Samstag International Visual Arts Scholarship
2000 Australia Council Development Grant, Cité Internationale des Arts, Paris
Awarded University of New South Wales Union Art Competition (first place, twodimensional
category)
1997 Awarded Willoughby City Art Prize (first place, student category)
Studio Residency, Artspace, Sydney
Australian Postgraduate Award, University of New South Wales
1996 Awarded Sydney University Art Competition (first place), Sir Hermann Black Gallery,
University of Sydney
National Association for the Visual Arts, Marketing Grant Scheme for New South Wales Artists

COLLECTIONS
National Gallery of Australia, Canberra
Art Gallery of New South Wales, Sydney
Museum of Contemporary Art, Sydney
Artbank, Australia
Campbelltown Arts Centre, Sydney
Macquarie Bank
Museum of Contemporary Art, Tokyo
University of Technology, Sydney
The University of Sydney
Govett-Brewster Art Gallery, New Plymouth, NZ
University of Queensland, Brisbane
The Progressive Art Collection
Corporate and private collections in Australia, Asia, the United Kingdom and the United States

SELECTED BIBLIOGRAPHY
2010
Shaun Gladwell, Interior Linework/Interceptor Intersection, Campbelltown Arts Centre, Australia, 2010.
Adam Fulton, “After the Afghan Battlefields Gladwell Eyes Europe”, Sydney Morning Herald, 26, March 2010.
2009
Elizabeth Fortescue, “Shaun Gladwell sets off for Afghanistan as Australia’s Official War Artist”, The Art Newspaper, No. 207, November 2007.
Adam Fulton, “From city skateboarders to the military in Afghanistan”, Sydney Morning Herald, 1
October, 2009.
Lynn Macritchie, “Melancholy Giardini: The National Pavilions”, Art in America, September 2009.
Richard Grayson, “An other Australian: the Australian Pavilion in Venice, Broadsheet, Vol, 38.3,
September–October 2009.
Bruce Millar, “Australia takes images of outback and Mad Max to Venice”, The Art Newspaper, Vol.
XVIII, No. 203, June 2009, UK, p. 46.
“Shaun Gladwell’s Sydney-to-Venice express”, Artworld International, Issue 6, August/Sept 2008,
UK.
Roderick Conway Morris, “Dispatch from Venice”, Spectator UK, 10 June 2009.
Richard Dorment, “Venice Biennale 2009: Behind the mask”, Telegraph UK, 8 June 2009.
Richard Dorment, “Venice Biennale 2009: Prize collector’s leap of faith”, Telegraph UK, 8 June 2009.
Ihor Holubizky, “Shaun Gladwell: the deep madness of…”, Broadsheet, Vol. 38.2, June–Augusr
2009.
Katrina Strickland, “Video artist’s star shines in Venice”, Australian Financial Review, 20 May 2008.
“Shaun Gladwell”, Adam & Eve Magazine, Issue 2, March/April/May 2009.
Rowena Stretton, “Art in motion: Shaun Gladwell”, Mercedes Magazine, 01-2009.
Ben Bertoldi, “Watch this space (invader), Oyster: World Fashion, Issue 77, p. 30.
Brendan Shanahan, “Performance Anxiety”, cover story, ‘Extra’, Sun Herald, March 22, 2009.
Prue Gibson, “Shaun Gladwell”, Artist Profile, Issue 6, pp. 72–73.
Rowena Stretton, “Art in Motion: Shaun Gladwell”, Mercedes Magazine, 01:2009.
2008
Ashley Crawford, “Gothic candour: I am the coffin that will not be silent”, Art Monthly Australia, No.
216, Summer Issue, 2008.
Anabel Dean, “Shaun Gladwell: pataphysical man”, Sydney Alumni Magazine, Spring 2008, The
University of Sydney.
Chiara Zampetti, “La carica dei trentenni”, Il Sole, 2 November 2008, No. 303.
Carolyn Christov-Bakargiev, 2008 Biennale of Sydney, Revolutions - forms that turn, Thames and
Hudson, Australia, 2008.
“Shaun Gladwell’s Sydney-to-Venice express”, Shaun Gladwell on Maddestmaximvs and Storm
Sequence, Artworld UK, August/September 2008.
Ben Bertoldi, “Watch This Space (Invader)”, Oyster, Issue 77, p. 30.
David Barrett, “Zombie Surfers”, Art Monthly UK, June 2008, No. 317.
Sarah Crompton, “Royal Academy Summer Exhibition: the critics’ view”, Telegraph UK, 10 June
2008.
Tracey Emin, “Tracey Emin on curating Gallery 8 of the Summer Exhibition”, RA Magazine, Issue No.99, Summer 2008.
Reuben Keehan, “Shaun Gladwell’s moving pictures”, Art & Australia, Volume 45, No. 4, 2008, p.
650.
Tracey Emin, Art and Music Magazine, Issue No. 1, Spring 2008, pp. 24–25.
Daniel Palmer, “Shaun Gladwel”, review, Frieze, Issue 114, April 2008, p. 185.
Gina Fairly, “Shaun Gladwell: Mortis Ex Machina”, Art Asia Pacific, No. 57, March/April 2008, pp.116–119.
Robert Storr, “Venice Revisited. Robert Storr responds to his critics”, in ‘Letters’, Artforum, January,
2008, pp. 48-60.
2007
Rex Butler, “Sprezzatura”, catalogue essay, MADDESTMAXIMVS, Sherman Galleries, Sydney, 2007.
Blair French (ed.), Shaun Gladwell: Video Work, Artspace, Sydney, 2007
Louise Schwartzkoff, ‘Slow moves in Bondi aid artist’s fast ride to success’, Sydney Morning Herald,
20 September 2007
<http://www.smh.com.au/news/arts/slow-moves-in-bondi-aid-artists-fast-ride-tosuccess/
2007/09/18/1189881514625.html#>
Elizabeth Fortescue, ‘Exhibition to create storm’, Daily Telegraph, 19 September 2007
<http://www.dailytelegraph.news.com.au/?from=ni_story>
‘Video killed the still art star’, News (image), Wentworth Courier, 5 September 2007, p. 23
Jo Bosben, ‘Shaun Gladwell: Middle man’, COFA, issue 19, Alumni Edition, September 2007, pp. 56–57
D.T., Whispering Gallery, Art AsiaPacific, no. 55, September–October 2007, p. 99
Marcia E. Vetrocq, "The Venice Biennale, all' americana", Art in America, September 2007, pp. 136-147, 179.
Olu Oguibe, ‘An Artist’s Biennial’, Frieze, Issue 109, September 2007, pp. 135.
Andrew Maerkle, ‘52nd Venice Biennale and documenta 12’ (review), Art AsiaPacific, no. 55,
September–October 2007, p. 176
Daniel Palmer, ‘Australia at the Venice Biennale: Disaster and other impressions’, Art & Australia,
vol. 45, no. 1, spring 2007, pp. 30–31
Jane Somerville, ‘Art in the present tense: Look goes to the 52nd Venice Biennale’, Look, Art Gallery of New South Wales, September 2007, pp.28–31
Josh Gardiner, ‘Hanging tough: Shaun Gladwell’, Dazed, vol. 1, no. 3, September 2007, p. 136
Tim Groenendyk, ‘Wet wheels’, Inpress, September 2007, p. 75
Melissa Hart, ‘Interactive playground’, Artnotes, Art Monthly Australia, issue 203, September 2007,
p. 51
Gabriella Coslovich, ‘$1.86m sale paints rosier picture for National Trust’
<www.theage.com.au/news/entertainment/186m-sale-paints-rosierpicturefor-
national-trust/2007/08/28/1188067040024.html#>
Katrina Strickland, ‘Records set for live artists’, Arts, Australian Financial Review, 30 August 2007,
p. 25
‘In a Station of the Metro’, Artspace, 28 August 2007, p. 1
Fiona Scott-Norman, ‘Fun time back in play’, Arts, Australian, 27 August 2007, p. 8
Richard Brewster, ‘Art market booms while stocks shake’, Age, 25 August 2007, p. 22
Gabriella Coslovich, ‘Storm makes waves in art world as video goes under the hammer’, News, Age, 25 August 2007, p. 11
Andrew Stephens, ‘Cup day with a difference’, Age, 25 August 2007, p. 17
Katrina Strickland, ‘Bids will shed light on video art market’, Australian Financial Review, 2 August
2007, p. 50
Terry Ingram, ‘Video star storms Venice, Australian Financial Review, 5 July 2007, p. 21
Carmel Dwyer, ‘Collector: Dick Quan’, Australian Art Collector, issue 41, July–September 2007, pp.
182–87
Peter Hill, ‘What’s in store?’, Interview with Gene Sherman, Upfront, Australian Art Collector, issue 41, July–September 2007, pp. 100–01
Nicolas Ostlind, ‘Asian artists echo biennale director’s themes’, Japan Times, 22 June 2007
<http://search.japantimes.co.jp/print/fa20070621a1.html>
Sebastian Smee, ‘Finding depths in shallow waters, Visual Art, Weekend Australian, 16–17 June
2007, pp. 18–19
Megan Backhouse, ‘Finding space on a crowded canvas’, The Critics, Age, 16 June 2007, p. 19
Sarah Milroy, 'How art can be the counterpoint to a superficial CNN world', The Globe and Mail
(Canada), 16 June 2007, pp. R6–7
Mark Clintberg, ‘Venice’, Akimbo blog, 14 June 2007 <http://www.akimbo.com/blog.asp>
Richard Dorment, ‘The best Venice for years’, Telegraph UK; ‘The best of the Biennale’, Picture Gallery, Telegraph UK, 12 June 2007
<http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2007/06/12/babiennale112.xml&page=2>
Terry Ingram, ‘Who’s who of art lovers head to Venice Biennale’, Weekend Australian Financial
Review, 9–10 June 2007, p. 3
Sebastian Smee, ‘Visions of life and death’, Inquirer, Weekend Australian, 9–10 June 2007, p. 27
Stefano Bucci, ‘Qui sventola la bandiera americana’, Corriere Della Sera, Italy, 9 June 2007, p. 40
Megan Backhouse, ‘Setting Storr by the art, not marketing’, Arts & Culture, Age, 9 June 2007, p. 23
Sebastian Smee, ‘Aussie artist takes his Valhalla to Venice’, The Nation, Australian, 8 June 2007, p.7
Katrina Strickland, ‘Biennale bound’, Australian Financial Review Magazine, June 2007, p. 16
Russell Storer (in conversation with Sally Breen), ‘Ten[d]ancy at Elizabeth Bay House’, Eyeline, no.
63, winter 2007, pp. 16–20
Daniel Baumann, ‘Shaun Gladwell, ‘Public space, translation and beauty’, Art & Australia, vol. 44,
no. 4, winter 2007, pp. 570–75
Andrew Maerkle, ‘The cook, the curator, the bike & the festivals: Venice, Kassel, Mü nster’, Art
Asia Pacific no. 53, May–June 2007, pp. 98–101
Lindsay Harris, ‘Shaun Gladwell’, catalogue essay, 52nd International Exhibition of the Venice
Biennale, ‘Think with the senses, feel with the mind – art in the present tense’, Marsilio, Italy, 2007, pp. 122–125
Katrina Strickland, 'Venice to experience dreamtime', Australian Financial Review, 27 April 2007, p.
7
Katrina Strickland, 'Venice club: Patrons boost biennale budget', Australian Financial Review, 26
April 2007, p. 43
Hannah Mathews, ‘It’s that time again – Hatched @ PICA’, Artnotes WA, Art Monthly Australia, no.
198, April 2007, p. 49
Clara Iaccarino, ‘Venice, here come six of the best’, Arts & Entertainment, Sydney Morning Herald, 7, March 2007, p. 16
Gillian Serisier, ‘How to pick a winner?’, Australian Art Market Report, issue 23, autumn 2007, pp.
28–30
Terry Ingram, 'Venice invitees', Australian Financial Review, 1 March 2007, p. 26
Megan Backhouse, 'Aussie numbers up for Biennale, Mixed Media, Age, Melbourne, 21 February
2007, p. 19
‘Shaun Gladwell’, 50 Most Collectable Artists, Australian Art Collector, issue 39, January–March
2007, pp. 126–7
Claire Todd-Miller, ‘Australian street art comes inside’, Bangkok Post, www.bangkokpost.com
9 February 2007
2006
Gillian Serisier, ‘Acquisitions by the public galleries an important guide to “what to buy”’, Australian
Art Market Report, no. 22, summer 2006–
07, pp. 20–22
‘Artnews 2006: Australian art on the international scene’, Art & Australia, vol. 44, no. 2, summer
2006, p. 210
Carmel Dwyer, ‘Relaxed and confident’, Australian Art Collector, issue 38, October–December 2006, pp. 189–193
John McDonald, ‘Asian tiger’s sleeker self’ (Gwangju Biennale; Busan Biennale), Arts &
Entertainment, Sydney Morning Herald, 7–8 October
2006, pp. 16–17
Sebastian Smee, ‘Not one of Pavlov’s dogs’, Visual Arts, Weekend Australian, 7–8 October 2006, pp. 18–19
Sunanda Creagh, ‘Cashed up, thanks to some radical moves’, Sydney Morning Herald, 29 August
2006, p. 12
Laura Murray Cree (ed.), Twenty: Sherman Galleries 1986–2006, Craftsman House, Melbourne,
2006
Sebastian Smee, ‘Tiers of influence’, Arts, Weekend Australian, 22–23 April 2006, pp. R18–19
Terry Ingram, ‘Photo proofs give negative results’, Smart Money, Weekend Australian Financial
Review, 18–19 February 2006, p. 40
Gillian Serisier, ‘Video art’, Australian Art Market Report, issue 19, Autumn 2006 pp. 26–27
2005
Sabine Schaschl-Cooper (ed.), Space Invaders: A discussion about painting, space and its hybrids, JRP Ringier Kunstverlag AG, Zurich, 2005
Terry Ingram, ‘The new heart of art beats strong’, Australian Financial Review, 22 December 2005,
pp. 44–5
Sabine Schaschi-Cooper, ‘Painting, space and hybrids’, Broadsheet, vol. 34, no. 3, September 2005, pp. 160–61
’10 Artists to Watch’, Australian House and Garden, p. 77
Mark Pennings, ‘Out of place, out of time, out of mind: Shaun Gladwell’s aesthetic explorations’,
eyeline, no. 58, spring 2005, pp. 16–17
Greg Burke, ‘Moving image: The most popular art form’, Artlines, vol. 2, winter 2005, pp. 24–7
John Kaldor, Gallery, Art & Australia, vol. 42, no. 4, winter 2005, pp. 589, 571
Eve Sullivan, ‘Anne Landa Award’, Art & Australia, vol. 42, no. 4, winter 2005, p. 599
Sebastian Smee, ‘Capturing the community’, Weekend Australian, 16–17 July 2005, p. R18
Dominique Angeloro, ‘Bling it on’, Metro, Sydney Morning Herald, 15 – 21 July 2005, p. 22
Tracey Clement, Critic’s Picks, Sydney Morning Herald, 15 – 21 July 2005, p. 23
‘Shaun Gladwell’, Michael Reid, Sydney Morning Herald, June–July 2005, p. 8
Katrina Strickland, ‘Art as an investment’, Weekend Australian, 9–10 July 2005, p. R23
Brendan Lee (compiler), ‘Your top ten video artists’, Photofile, no. 74, winter 2005, pp. 62–4
Andrew Frost, ‘What’s so fashionable?’, Photofile, no. 74, winter 2005, pp. 26–7
Stewart Hawkins, ‘Anne Landa Award’, Photofile, no. 74, winter 2005, pp. 69
Julianne Pierce, ‘Battle of the brands’, Photofile, no. 74, winter 2005, pp. 42–5
‘Shaun Gladwell’, Art World, July 2005
‘Shaun Gladwell and Scott Redford’, boxoffice, the(sydney)magazine, June 2005, p. 101
Victoria Hynes, ‘Ctown Bling’, the(sydney)nagazine, June 2005, p. 100
Janne Ryan, ‘The rise of video art’, Weekend Australian Financial Review, 21–22 May 2005, pp. 31–2
Michael Reid, ‘Shaun Gladwell’, The Art Oracle, Sydney Morning Herald, 14–15 May 2005, p. 13
Alice Cavanagh, ‘Shaun Gladwell: Artist’, Monster Children, no. 8, autumn 2005. p. 72
Joanna Taylor, ‘Centre City? It’s a beauty’, ?, 18 May 2005
‘Shaun Gladwell’, ARTCO, Tokyo, May 2005 <http://www.artouch.com>
Rosemary Sorensen, ‘Word junk clutters ride’, Courier Mail, Brisbane, 2 April 2005, p. 9
Don Gordon-Brown, ‘Get your skates on’, Independent, Brisbane, vol. 5, no 6, 24 March 2005, p. 1
‘The ride of his life’, Brisbane News, 24 March 2005, pp. 17–18
Peter Hill, ‘State of original cine’, Spectrum, Sydney Morning Herald, 8–9 January 2005, p. 16.
Liz van den Nieuwenhof, ‘Hello: Shaun Gladwell’, Weekend Australian Magazine, 8–9 January 2005, p. 9
Sebastine Smee, 'Video gaga', Weekend Australian, 18–19 December 2004 pp. R18–19
Daniel Palmer, ‘Australian culture now’, Art & Australia, vol. 42, no. 2, summer 2004, pp. 196–7
Mark Gomes, 'Shaun Gladwell', Australian Art Collector, January–March 2005, p. 90
Penny Craswell, ‘Shaun Gladwell’, Broadsheet, December 2004 – February 2005, p. 34
Ibor Holubizky, ‘Gridlock’, Broadsheet, December 2004 – February 2005, p. 55
Howard Tanner, ‘Art in the new corporate environment’, Australian Art Market Report, no. 14,
December 2004–February 2005, pp. 18, 19
2004
‘Shaun Gladwell’, review (Sad and Lonely), Photofile, no. 73, summer 2004, pp. 73, 75
Sebastian Smee, ‘Don’t fence me in’, Review, Weekend Australian, 6–7 November 2004, pp. 18–19
Wayne Tunnicliffe, ‘Anne Landa Award: A living, changing memorial for a vivid arts supporter’, Look, November 2004, pp. 14–16
Edward Colless, ‘Warp speed’, Australian Art Collector, issue 30, October–December 2004, pp. 84–9
Peter Hill, ‘Time travellers’, Spectrum, Sydney Morning Herald, 18 August 2004, pp. 21–2
Stewart Hawkins, ‘Mixed-Ed: Diverse Practice and Geography’, Photofile, no. 72, spring 2004, p. 77
Linda Michael, ‘2004: Australia culture now in Melbourne’, Art Monthly Australia, no. 172, August
2004, pp. 25–9
Alex McDonald, ‘Zeitgeist’, State of the Arts e-mail newsletter, 5 August 2004
http://www.stateart.com.au/sota/reviews/default.asp?fid=2828
Rosalie Higson, ‘Flash forward’, Arts, Weekend Australian, 31 July – 1 August 2004, pp. 18–19
John McDonald, ‘“Yoof” wins: Looking for uncool culture’, Australian Financial Review, 22 July 2004, p. 43
Oyster, World Fashion, issue 52, June–July 2004, p. 55
Edward Colless, ‘Present tense: 2004 Australian Culture Now’, Weekend Australian, 17–18 July
2004, pp. 18–19
Michael Libucha, Editorial, City Search, Brisbane, 22 June 2004, pp. 1–2
Dominique Angeloro, ‘Interlace’, Critic’s Pick, Metro, Sydney Morning Herald, 12–13 June 2004, p.
27
Alexie Glass, I thought I knew but I was wrong: New Video Art from Australia, exhibition catalogue,
ACMI, Melbourne, 2004
Russell Smith, Crypto-Realism, Art Monthly Australia, no. 168, April 2004
Simon Blond, ‘Hopeful disaster’, Weekend Extra, West Australian, 28 February 2004, p. 13
Sarah Grant, ‘Treasures on TV’, Sunday Telegraph, 18 April 2004, p. 22
Peter Hill, ‘All in a blur of colour and speed’, Spectrum, Sydney Morning Herald, 9–11 April 2004,
pp. 8–9
Andrew Frost, ‘The next generation’, Australian Art Collector, issue 28, April–June 2004, pp. 114–7
Sally Breen, ‘Remixes for a new[ish] millennium’, catalogue essay, Perth Institute of Contemporary Art (PICA), Perth, 2004
Tracey Clements, review, Primavera 2003, Artlink, vol. 24, no. 1, 2004, p. 87
Laura Murray Cree, ‘Small is beautiful’, State of the Arts, January–March 2004, pp. 79–81
Andrew Frost, ’50 of Australia’s most collectable artists’, Australian Art Collector, issue 27, January–March 2004, p. 86
Peter Hill, ‘Charitable acts’, Spectrum, Sydney Morning Herald, 10 January 2004, pp. 10–11
Anthony Kiendl and Iain Borden, Godzilla vs Skateboarders, Dunlop Art Gallery, Canada, ISBN
0920085-93-8
2003
Clara Iaccarino, ‘Skater rolls on to art list’, Sun-Herald, 14 December 2003, p. 48
Laura Murray Cree, ‘Shaun Gladwell’, Young Guns, State of the Arts, October–December 2003, p. 69
Maria Bilske, ‘Shaun Gladwell: Silent, ambient + harder remixes’, Broadsheet, vol. 32, no. 3,
September–November 2003
Joanna Mendelssohn, ‘Shaun Gladwell’, Artlink, vol. 23, no. 3, 2003
Dominique Angeloro, ‘Espresso yourself’, Metro, Sydney Morning Herald, 19–25 September 2003, p.26
Maria Bilske, ‘Shaun Gladwell: Silent, ambient + harder remixes’, Broadsheet, September–
November 2003
Lenny Ann Low, ‘Hot in the city, skating across genres’, Sydney Morning Herald, 6 August 2003
Russell Smith, ‘Outside the context’, Muse, Canberra, no. 243, November 2003
Gallery, Art & Australia, vol. 41, no. 2, summer 2003, p. 286
Blair French, ‘Video goes big time’ RealTime, August–September, no. 56, p. 37
John Cruthers, ‘Peter Fay: A life in art’, Art & Australia, vol. 40, no. 4, 2003, p. 639
Peter Hill, ‘Pick and mix’, Spectrum, Sydney Morning Herald, 12–13 July 2003, p. 13
Lenny Ann Low, ‘Things we do for fun’, Sydney Morning Herald, 5–6 July 2003
Dominique Angeloro, ‘Skate expectations’, Metro, Sydney Morning Herald, 10 July 2003, p. 26
2002
Charlotte Day, Octopus Three, exhibition catalogue, 200 Gertrude Street, Melbourne, 2002
Jack Anderson, ‘At the Galleries’, Leader Post, (Canada), 2002, p. 179
2001
Kit Messaham-Muir, ‘David Griggs and Shaun Gladwell’, Eyeline, no. 46, spring 2001
Simon Rees, ‘Review’, Flash Art International, no. 220, October 2001, p. 110
Iain Borden, Skateboarding and the City: Architecture and the Body, Berg, Oxford, 2001
Mix: contemporary Culture magazine, review, p. 21
Kit Messaham-Muir, ‘Kickflipping Flâneur’, Kerb: Journal of Landscape Architecture, issue 9, Royal
Melbourne Institute of Technology, 2001
Felicity Fenner, ‘Undiscovered: Uncovering Australia’s rising art stars’, Australian Art Collector, issue
16, April–June 2001, p. 76
2000
Alexi Glass, Skate expectations’, Sydney Morning Herald, 20 October 2000, p. 26
Kit Messaham-Muir, ‘Practices of the city and the Kickflipping Flâneur’, catalogue essay, Artspace,
Sydney, 2000
1998
The Book of Loud, vol. 1, issue 1, Terraplane Press, Sydney, 1998, p. 66
1997
Ted Snell, ‘Hatched’, Art & Australia, vol. 35, no. 2, summer 1997, p. 244–5
1996
Bruce James, Galleries, Sydney Morning Herald, 9 August 1996, p. 12

 
click here to download pdf version of cv

 

 

 

 

 

Shaun Gladwell

Portrait of a man: alive and spinning/Dead as a skeleton dressed as a Mountie


September 8 - October 16, 2010

SELECTED WORKS
INSTALLATION
PRESS RELEASE
PRESS
BIOGRAPHY
CURRICULUM VITAE